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1. #HOWARD STERN RONNIE OPENING RICKS PENNSYLVANIA HOW TO#
2. #HOWARD STERN RONNIE OPENING RICKS PENNSYLVANIA PLUS#
3. #HOWARD STERN RONNIE OPENING RICKS PENNSYLVANIA SERIES#

Responded with “me” and gave Neal copies of tapes he had from his days at KBOXĬonnecticut and told him that he liked the tapes but wasn’t sure how he would sound Was first annoyed with Dan’s approach, told him to “shut up” but then asked Name him but the description was of Fred Hall). Told Neal that WABC's afternoon DJ wasn't the best fit for the station (Dan didn’t Mars did production work for the station. Dan was in and out of WABC’s offices because In radio again so he approached WABC’s general manager, Hal Neal, about a job. Walked back to his car he had a bad feeling that he had just made a big mistake. Turned it down (he was making more money with Mars) thinking that WMCA would increase its

Offered Dan the afternoon drive job for $25,000. Ruth and WMCA’s general manager (Steve Lubunski—although Dan did not name him) When he was in Dallas and now she was interested in having him go to work at WMCA in New He commented he had previously spoken to Ruth

While at Mars, WMCA program director Ruth Meyer contacted him.

#HOWARD STERN RONNIE OPENING RICKS PENNSYLVANIA PLUS#

Stated he made $21,000 a year there plus 5% commission. At Mars Dan also met Stan Kaplan who he referred to as the It was a company headedīy Bob Whitney that created promos for radio stations. Referred to as a “dear friend” and the “nicest person I ever met”.įor Mars Productions. Took the morning show from a 0 ratings share to a 48 share! It was there that Dan met Ron Lundy who he Year at KBOX, KLIF had to drop that claim as it slipped to having only 26% of the audience Inįact, KLIF’s over air promos stated that it had more audience then every other When he started in Dallas, KBOX’s chiefĬompetitor, KLIF, had 51% of the audience.

#HOWARD STERN RONNIE OPENING RICKS PENNSYLVANIA HOW TO#

In Dallas included meeting and learning from Bob Whitney on how to really do Top 40 radio. Its owner, John Box, hired Dan and his time He jokingly commented that everyone imitatesĪ discussion of KBOX followed. Habit of banging on the phone book during his shows made an impression on him. Dan also commented thatĪlan Freed and his energy level was an influence. “Kemosabe” was his way of talking to his listeners regardless of ethnicity, sex,Īge or anything else.

He also commented that his use of the word Is his ability to have that "one on one" with everyone in his audience. He also commented on his two years in ConnecticutĪt WNHC doing mornings (and also broadcasting under the name “Rae Tayler” atĬompeting station WICC doing a program called “The Chamber”).Ĭollins for influencing him because he had the ability to talk to the audience “one Radio on Long Island and how WALK’s Jack Ellsworth was a big influence. Hisīackground in attending music sessions with his father was part of his inspiration to go That was followed by a question and answer sessionīoth of whom were musicians.

#HOWARD STERN RONNIE OPENING RICKS PENNSYLVANIA SERIES#

Through a series of questions as he reviewed some of the highlights his 43 years in radio. Ken Mueller (the Museum Curator) then led Dan He was entertaining,Įngaging, emotional and informative just like he is on the radio.Īirchecks of various points of Dan’s career followed by his introduction. Dan Ingram at The Museum of Radio and TV: October 25, 2001įrom hand notes recorded by Allan Sniffen